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Analysis of Two Film Openings:

Jurassic World (2015) 2min45sec Opening

     The first 2 and a half minutes or so of Jurassic World are very interesting in that they don't particularly conform to the usual Thriller stereotype of high octane beginnings with lots of action. This opening has a slightly more laid back approach. After the opening titles, the film starts with the cracking of 2 dinosaur eggs. In this scene the noises are very realistic and the music is very traditional to the Jurassic© film series in that it starts off quite slow and methodical but then builds up into a fast tempo with sudden sounds. It changes slightly as the eggs begin to fully hatch. Whilst this is occuring, the music is quite eerie and has a slightly sci-fi feel to it. It sounds as though a synthesizer is used. The camera shots in this short scene start with the extreme close-up of the egg as it's initially hatching but it starts zooming out at a slow rate and then pans to the right to reveal a second hatching egg which builds up a sense of tension. The slow movement of the talon and the way it claws tiny segments out until you can see its eye also builds towards the tension levels. In the background, you can see it appears to be some form of laboratory from the bright lights, white scenery and people in lab coats which perhaps indicates the nature of which these dinosaurs are created; we can assume that perhaps they are artificially created rather than actual dinosaur breeding. That could be wrong though, and it could, in fact, just be an incubation unit from which the eggs are housed so that they don't get cold outside but based on knowledge from the rest of the film series, we can guess that it is a lab. 

     As the scene fades out and turns to the next scene, we get a glimpse of a foot coming down onto snow. Initially the audience will believe they're about to see a dinosaur stomping about but it actually turns out to be a bird, showing perhaps the link between birds and dinosaurs which is true of recent real life studies. Seeing the foot is yet another method of building tension and the sound of the iconic dinosaur stamp also gives off the idea that the audience will be seeing a dinosaur next. This turns out to not be true, being proved wrong by the sudden uplifting music that comes in as the mum is loading the car up outside a family sized home. As the bird flies past, the musical sounds reveal a sense of family and serenity and the car being loaded up feels like they might have either just moved or could be going for a trip. The clips cut away, then, to a child's image sliding toy and he's looking at different dinosaur images whilst a serene musical track plays in the background evidently to display innocence. He's in his bedroom and there are wooden sculptures of dinosaurs on the background shelves which, combined with the toy, reveals his interest in dinosaurs. We can also learn that perhaps he is a somewhat intelligent boy around 12 years old because of the posters of the solar system and cameras on his wall. Also, there's a lot of blue in this scene which is a stereotype of boys. For example, his walls are blue, he's wearing a blue jumper and his dinosaur image toy is a light blue colour.

     The mother walks in and takes away his toy and urges him to hurry up so they can make their flight. At this point the child uses exposition to reveal where they are flying from and how long it will take to get there which is useful to further the setting description and reveal where they are in the World. The conversation between the mother and son is filmed as a midshot mostly but with some two-shots and it reveals the closeness of their relationship. They talk in a generally jovial fashion and she refers to "feeding the monsters under his bed" which could reveal possibly that the child is quite brave. All throughout this conversation, the light and tranquil music is playing, presumably to reveal their peaceful way of life before whatever events are about to unfold.

American Sniper (2015) 2min45sec Opening

     The opening to American Sniper is full of suspense and it really grabs the audience's attention right from the off. As the opening titles appear, a presumably middle-Eastern broadcast plays and it straight away gives the idea of a call of war in the way it is repeated and the power of the words which most of the audience won't understand but will recognise. There is also the faint beating sound of a tank's tracks moving which gradually gets heavier and heavier until the screen reveals the tank with the establishing shot. Within this shot, it is clear we are in a war-torn country from the rubble that can be seen scattered around and the tank with soldiers escorting it. There's a slow tracking shot that moves around the tank as it approaches the camera. The shot reaches the tracks in motion and then cuts away to a man in a technical car on a turret which confirms any doubts that they are definitely in a warzone. Again the camera tracks down and across to show the driver and passengers with stern faces perhaps to show their bravery in the face of this warzone. The camera then cuts away again but this time to foot soldiers stepping through rubble and then cuts almost straight away again to show the tank once more-this time traversing rubble. 

     The camera cuts away again to reveal a longshot of the soldiers with the tank down below a platform where the protagonist and his companion are laying with the sniper rifle. The title of the film appears below his sniper as he is overlooking the unit moving through the rubble. As the title fades, the camera tracks up his figure to reveal his face and his spotter's face. This is followed by a section of dialogue that reveals these two are friends or at least have senses of humour as they are cursing in front of eachother and cracking jokes; this perhaps even serves to try and show the two men as fearless as they are literally laughing in the face of danger. They're both wearing similar gear too except the spotter has a helmet which reveals they're obviously part of the same squad. 
     Following this, there are a series of cuts that go from the tank patrolling to a unit of infantry busting down different doors and checking them for enemies. The use of these quick cuts and shouting with doors being broken down serves to act as a tension builder especially considering that, at some points, several close-ups reveal worried looks on the soldiers' faces. At one point, there's a tracking shot from what appears to be a handheld camera that leads into a mid-shot of a man kicking down a door and this acts as a way to encorporate verisimilitude because it gives a sense of realism in that it feels that you're there. The (presumably) handheld camera has this effect as it marginally shakes and moves whilst the action is taking place.

     Next up is a lingering shot that tracks across the screen as the sniper's crosshair. There's suddenly a non-diegetic sound of an almost heartbeat-themed musical track. This acts as a way to convey to the audience what the sniper is feeling and the manner in which the crosshair is frantically searching different areas also serves the same purpose. Again, this adds to the verisimilitude. As the crosshair is searching, a man pops up and the crosshair focuses on him as the music builds up and becomes slightly more sinister. The man pulls out his phone and there's a cut to a close-up of the sniper's face looking worried as he calls in what the male looks like. This close-up also reveals a look of contemplation on the spotter's face as he tries to offer a reason to justify why the man is on the phone but the sniper's expression looks determined. The opening ends with a cut back to the crosshair of the sniper as the man slinks away down the stairs and out of view.

 

 

 

 

 

 

 

 

 

 

 

The most notable thing to see across both of these films - and indeed it's common of most, if not all films - is that they both jump straight into the action. This instantly grips the audience and gets the action started right away. Not only this but it reveals instantly a basic idea of what the story is about and the setting in which it is set which is obviously useful as it doesn't create a false sense of plot direction. It is important to do this also because it almost establishes the audience in that people will often know whether or not they are going to like the style and genre of the film or not within the opening scenes. Both of these films open very intelligently and set the scene fantastically - not only that but they're 2 of my personal favourite films!

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